"Official Fakes": The Consequences of Governmental Treatment of Forged Antiquities as Genuine During Seizures, Prosecutions, and Repatriations
82 Albany Law Review 407 (2019)
Erin L. Thompson
At the climactic moment of John Huston’s 1941 film noir The Maltese Falcon, Sydney Greenstreet, playing the nefarious “Fat Man,” caresses a sculpture of a falcon.